Wednesday, 15 February 2017

Toomas Karmo: Apology for Blog-Schedule Breakdown, with Spiritual Remarks

Quality assessment:

On the 5-point scale current in Estonia, and surely in nearby nations, and familiar to observers of the academic arrangements of the late, unlamented, Union of Soviet Socialist Republics (applying the easy and lax standards Kmo deploys in his grubby imaginary "Aleksandr Stepanovitsh Popovi nimeline sangarliku raadio instituut" (the "Alexandr Stepanovitch Popov Institute of Heroic Radio") and his grubby imaginary "Nikolai Ivanovitsh Lobatshevski nimeline sotsalitsliku matemaatika instituut" (the "Nicolai Ivanovich Lobachevsky Institute of Socialist Mathematics") - where, on the lax and easy grading philosophy of the twin Institutes, 1/5 is "epic fail", 2/5 is "failure not so disastrous as to be epic", 3'5 is "mediocre pass", 4.5 is "good", and 5/5 is "excellent"): 3/5. Justification: Kmo wrote accurately, but in rather skimpy terms. 

Revision history: 

  • 20170215T2341Z/version 1.0.0: Kmo uploaded an initial, already reasonably polished, version. He reserved the right to make minor, purely cosmetic, nonsubstantive tweaks over the coming 48 hours, as here-undocumented versions 1.0.1, 1.0.2, 1.0.3, ... . 



[CAUTION: A bug in the blogger server-side software has in some past weeks shown a propensity to insert inappropriate doublespacing or inappropriate interparagraph whitespace at some points in some of my posted essays. If a screen seems to end in empty space, keep scrolling down. The end of the posting is not reached until the usual blogger "Posted by Toomas (Tom) Karmo at" appears. - The blogger software has also shown a propensity to generate HTML that is formatted in different ways on different client-side browsers, perhaps with some browsers not correctly reading in the entirety of the "Cascading Style Sheets" which on many Web servers control the browser placement of margins, sidebars, and the like. If you suspect "Cascading Style Sheets" problems in your particular browser, be patient: it is probable that while some content has been shoved into some odd place (for instance, down to the bottom of your browser, where it ought to appear in the right-hand margin), all the server content has been pushed down into your browser in some place or other. - Anyone inclined to help with trouble-shooting, or to offer other kinds of technical advice, is welcome to write me via Toomas.Karmo@gmail.com.]




I must apologize tonight to my readers. For (I think) the first time since I started blogging some nine or ten months ago, I have managed to miss, not in a minor way but in a glaring way, my self-imposed weekly schedule - leaving aside, to be sure, my rather natural and predictable and forgivable Christmas-week miss. My self-imposed schedule prescribes a fresh upload in each four-hour Tuesday-morning UTC interval 0001Z/0401Z. Although I was to have uploaded in the interval 20170214T0001Z/20170214T0401Z, I have unfortunately delayed this activity by just under 48 hours. 

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In an effort to get at least something uploaded this week, I write to only modest length, confining myself to three simple remarks. All three are on broadly spiritual themes. 

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First, I comment on the troubling matter of "hermit vocations". 

Some fortunate individuals are formally professed religious hermits, enjoying some mode of formal recognition form their local archdioceses. In some cases - I think particularly of Sr Laurel O'Neil, blogging at 
https://notesfromstillsong.blogspot.com - such archdiocese-recognized hermits proceed under Canon 603 in Church law. 

Clearly I cannot, with my autism, my depressions, and my other frailties, presume to join their distinguished ranks. But should I altogether abandon the hermit ideal? Is it altogether an error of presumption to keep putting into my e-mail footers the boilerplate text pursuing, without vows, perceived vocation as private (non-diocesan) Catholic-layman hermit?

I am happy to hear arguments, from theologically competent authorities, in favour of extinguishing that e-mail footer.

Nevertheless, it seems to me at the moment that a lay hermit endeavour - alongside that other, less eccentric-seeming, personal imperative which is the study of maths, astronomy, and physics-of-radio - is what God desires of me. I see it like this, that at the time of judgement: (a) the unfaithful ones do not get slapped, punched, or kicked - still less do they get burned  - for having neglected their vocation. Rather, a reassuring Marilyn Monroe (chewing her bubble gum, as I have previously remarked on this blog) walks into view a couple of seconds after one's biological death, saying, "We was worried about you, Honey." But all the same (b) those unfaithful ones are given to understand that something did not - to God's sorrow, and to the detriment of the Kingdom for whose earthly coming we have been taught to pray daily - get done correctly in their too-comfortable earthly lives. 

**** 

Second, I remark on the possible need to bring together two seriously Catholic Toronto friends, "UVW" and "XYZ", perhaps ultimately along with their respective wives. 

From UVW I have received, among other notable and weighty gifts, a small pectoral crucific, I think in steel, clearly (this is seen from the detailed lettering in its die-stamping or casting) in the Benedictine monastic tradition. 

With XYZ I have several times chatted on Benedictine spirituality, with repeated reference to the Archabbey of Saint Vincent in Pennsylvania. XYZ and I have particularly discussed the Benedictine Oblate outreach of that monastery. 

****

Third, I remark on a matter that has been on my mind over the past three or so weeks, and which I suppose I might due course discuss also with one or both of UVW and XYZ (whether in two-way meetings or, conceivably, in an outright three-way). This matter could be called the "Spirituality of the Sea". 

My 1970s Oxford college was fortunate to have a significant Old Testament authority, Dr Anthony Phillips (author of the "Cambridge Bible Commentaries" Deuteronomy volume), as its Anglican Chaplain. I recall Dr Phillips telling some of us, perhaps in a small gathering in his Front-Quad rooms, how the Hebrews feared the sea. 

And yet I also think how discernible a marine note sounds in popular piety. 

Everyone who reads the Gospels must from time to time think not only of the Nativity and Passion, and of the Sermon on the Mount, and of the Prodigal Son, but also of the storm on the Sea of Galilee (at the outset of which which Our Lord is said by the practical-minded evangelist Mark to be asleep "on a cushion" in the stern). 

From Marian devotion in specifically Catholic circles, we have the haunting phrase Stella Maris - "Star of the Sea" - as for instance in the hymn at http://www.godsongs.net/2012/10/hail-queen-of-heaven-the-ocean-star.html

Hail, Queen of heaven, the ocean star,
Guide of the wanderer here below,
Thrown on life's surge, we claim thy care,
Save us from peril and from woe.
Mother of Christ, O Star of the sea 
Pray for the wanderer, pray for me. 

The permanent canon of high English literature includes Tennyson's "Crossing the Bar": 

Sunset and evening star,
      And one clear call for me! 
And may there be no moaning of the bar,
      When I put out to sea,

   But such a tide as moving seems asleep,
      Too full for sound and foam,
When that which drew from out the boundless deep
      Turns again home.

   Twilight and evening bell,
      And after that the dark!
And may there be no sadness of farewell,
      When I embark;

   For tho' from out our bourne of Time and Place
      The flood may bear me far,
I hope to see my Pilot face to face
      When I have crost the bar.

(I should perhaps explain, for benefit of  readers far from tidewater, that "bar" here is "sandbar". The tide has to be judged accurately, as by an experienced harbour pilot, if the keel is to ride safely clear of the sand.) 

At a more secular level, but still in the high world of canonical English letters, there is another sometime Poet Laureate, Masefield, with his "Sea Fever": 

I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by;
And the wheel's kick and the wind's song and the white sail's shaking,
And a grey mist on the sea's face, and a grey dawn breaking.

I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.

I must go down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick’s over.

Outside high English literature, there are abundant current-day practical examples to instruct us ethically and spiritually - for instance, explorer Arved Fuchs, with his Dagmar Aaen. The length is around just 20 metres, making this inutterably beautiful 1931 vessel look perhaps vulnerable when tied up. In fact, however, the Dagmar Aaen features a distinctively strong oak construction in its hull, such as is appropriate for Mr Fuchs's Arctic work. When airs prove favourable, driving power can be supplied by up to 220 square metres of sail. A three-cylinder diesel additionally yields 180 horsepower (i.e., in laboratory units, 1.3e5 joules per second). 

Do not waste time with me today, folks: have a look, rather, at the various available Dagmar Aaen Web materials, such as (1) http://www.arved-fuchs.de/en/about-us/dagmar-aaen (this page has plans of deck and accommodations), or (2) the 43:04-duration 2014-06-03 YouTube upload of YouTube user "Free Documentary", under title "SAILING ACROSS THE ATLANTIC Part 1/5". In my corner of the Web, the video is reachable as https://www.youtube.com/watch?v=pwFeGb-4wLE. A check of YouTube statistics as at UTC=20170215T2226Z shows it to have already received 511,711 views. 






Monday, 6 February 2017

Toomas Karmo (Part B): Practicalities of Studying Estonian

Quality assessment:

On the 5-point scale current in Estonia, and surely in nearby nations, and familiar to observers of the academic arrangements of the late, unlamented, Union of Soviet Socialist Republics (applying the easy and lax standards Kmo deploys in his grubby imaginary "Aleksandr Stepanovitsh Popovi nimeline sangarliku raadio instituut" (the "Alexandr Stepanovitch Popov Institute of Heroic Radio") and his grubby imaginary "Nikolai Ivanovitsh Lobatshevski nimeline sotsalitsliku matemaatika instituut" (the "Nicolai Ivanovich Lobachevsky Institute of Socialist Mathematics") - where, on the lax and easy grading philosophy of the twin Institutes, 1/5 is "epic fail", 2/5 is "failure not so disastrous as to be epic", 3'5 is "mediocre pass", 4.5 is "good", and 5/5 is "excellent"): 4/5. Justification: Kmo had time to do a reasonably complete and (within the framework of the version 2.0.1, 2.0.2, 2.0.3,  .. process) reasonably polished job.






Revision history:
  • 20170208T1838Z/version 2.3.0: Kmo moved discussion of pub-or-campfire song from Viivi Luik upward, into the discussion of adessive case., and expanded it. - Kmo reserved the right to make minor, purely cosmetic, nonsubstantive tweaks over the coming 48 hours, as here-undocumented version 2.3.1, 2.3.2, 2.3.3, ... . 
  • 20170208T0049Z/version 2.2.0: Kmo appended to the posting a call for reader feedback. - Kmo reserved the right to make minor, purely cosmetic, nonsubstantive tweaks over the coming 48 hours, as here-undocumented version 2.2.1, 2.2.2, 2.2.3, ... . 
  • 20170207T2222Z/version 2.1.0: Kmo improved his discussion of the fourteen Estonian case,  and corrected a humiliating mistranslation (he had somehow written "peacetime summer", instead of "peacetime spring", for "rahukevad"), and perhaps made other small adjustements. - Kmo reserved the right to make minor, purely cosmetic, nonsubstantive tweaks over the coming 48 hours, as here-undocumented version 2.1.1, 2.1.2, 2.1.3, ... . He decided to deem even small possible upcoming adjustments in his treatment of Viivi Luik (for  instance, repairs involving the insertion of missing vocabulary explanations, or adjustments in the use of the block caps that signal major vocabulary items) "minor, purely cosmetic, nonsubstantive tweaks". 
  • 20170207T0410Z/version 2.0.0: Kmo finished converting upload into coherent prose. He now embarked on a process of polishing. He reserved the right to make minor, purely cosmetic, nonsubstantive tweaks over the coming 48 hours, as here-undocumented versions 2.0.1, 2.0.2, 2.0.3, ... . 
  • 20170207T0004Z/version 1.0.0: Kmo uploaded outline. He hoped to convert this into coherent prose over the coming 4 hours. 

[CAUTION: A bug in the blogger server-side software has in some past weeks shown a propensity to insert inappropriate doublespacing or inappropriate interparagraph whitespace at some points in some of my posted essays. If a screen seems to end in empty space, keep scrolling down. The end of the posting is not reached until the usual blogger "Posted by Toomas (Tom) Karmo at" appears. - The blogger software has also shown a propensity to generate HTML that is formatted in different ways on different client-side browsers, perhaps with some browsers not correctly reading in the entirety of the "Cascading Style Sheets" which on many Web servers control the browser placement of margins, sidebars, and the like. If you suspect "Cascading Style Sheets" problems in your particular browser, be patient: it is probable that while some content has been shoved into some odd place (for instance, down to the bottom of your browser, where it ought to appear in the right-hand margin), all the server content has been pushed down into your browser in some place or other. - Anyone inclined to help with trouble-shooting, or to offer other kinds of technical advice, is welcome to write me via Toomas.Karmo@gmail.com.]



3. A Possible Preliminary to Systematic Estonian-Language Studies


3.1 Principles


I wrote last week for a very mixed readership, including in its ranks individuals with some command of Estonian. Tonight's remarks, on the other hand, are directed mainly to prospective students who presently have no Estonian at all. Last week I wrote in Estonian, appending an English translation as I went along. In view of the shift in readership, I write tonight in English only. 

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Students of psycholinguistics, take due and careful note: it is possible - in fact, it is easy - to think in a language which one has not yet started studying systematically. 

My object tonight is to lead prospective students of Estonian, who do not at present know our language at any level whatever, into thinking a sequence of a few dozen actual Estonian thoughts. I try to bring my readership into this alarming Yoga lotus position through a short set of exercises. They might perhaps be completed in one four-hour working session, or in two or three two-hour sessions. They could to advantage be completed, despite the press of nonphilological duties, by those members of the British Forces stationed in Estonia, or by appropriately enthusiastic (and yet busy) young people, of mixed Estonian and non-Estonian parentage, here in Ontario. 

With that exercise in Yoga lotus-contortions behind them, my readers can if they desire turn next to systematic study, with Web sites and grammar books, and with a dictionary - perhaps even using some of the various resources that I hope myself to be recommending in a later installment of this present multi-part essay. 


3.2 Some Phonetics


Estonian, like Finnish and Ciceronian Latin, and unlike English, is fortunate in having a nearly phonetic writing system.

At the core of Estonian is a rather short alphabet:


  • Aa (always - even when doubled in a long or superlong syllable - like the "a" in English "father", and never like the "a" in English "cat")
  • Bb
  • Dd
  • Ee (always - even when doubled in a long or superlong syllable - like the "e" in English "semi", and never like the "e" in English "we")
  • Gg (always like "g" in English "godfather", and never like the "g" in English "nudge") 
  • Hh
  • Ii (always - even when doubled in a long or superlong syllable - like the "e" in English "we", and never like the "i" in the English "I am" 
  • Jj (always like the "y" in English "you", and never like the "j" in English "judge")
  • Oo (always - even when doubled in a long or superlong syllable - like the  ô in French "rôle" or the o in German "Hoffnung": so "oo" is never sounded like "oo" in English "food")  
  • Pp
  • Rr
  • Uu (always - even when doubled in a long or superlong syllable - like the "oo" in English "food") 
  • Õõ (always - even when doubled in a long or superlong syllable - like the first component in that diphthong in Standard English which is "õu" - as when HM the Q, in a televised Christmas Message some decades ago, solemnly stood on a bridge in or near St James's Park, overlooking some small body of water, and solemnly tossed her pebble down, and solemnly spoke of that outreach of ripples which one experiences once one has cast one's stõun into one's pool) 
  • Ää (always - even when doubled in a long or superlong syllable - like the "a" in English "cat" or Swedish "Valhallavägen", and never like the "a" in English "father" - i.e., never (despite the occasional malpractice of Toronto classical-radio disk-jockeys introducing in English the work of composer Arvo Pärt) like the "ä" in the German "schläfst du gut")
  • Öö (always - even when doubled in a long or superlong syllable - like the "ö" in German "Göttingen")
  • Üü (always - even when doubled in a long or superlong syllable - like the "u" in French "Tu as tué nos célébrations"; i.e., like "ü" in German "Frühstück, Frühstück über alles") 

To this agreeably short list are, admittedly, added nine letters for loan-words and the like, yielding the overall alphabet Aa, Bb, Cc, Dd, Ee, Ff, Gg, Hh, Ii, Jj, Kk, Ll, Mm, Nn, Oo, Pp, Qq, Rr, Ss, Šš, Zz, Žž, Tt, Uu, Vv, Ww, Õõ, Ää, Öö, Üü, Xx, Yy

So far as the extended alphabet goes, comment is needed only regarding the pronunciation of two letters: 

  • Šš always as in English "sugar"
  • Žž as the voiced equivalent of "Šš" - i.e., like the final consonant in the French "Moulin Rouge" 
Care must be taken to avoid going Anglo on diphtongs: "oa" in "ilma loata" ("without permission") is like the "oa" in the Hawai'i placename "Mauna Loa", not like the "oa" in "country road"; similarly, "au" is like the "au" in the German "Maus" and "Haus", not like the "au" in the English "fraught with peril". 

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It is striking that Estonian lacks the Icelandic thorn (þ/ð) sound, in other words the Greek theta sound - which in English is prominent in both an unvoiced form ("Thanks, Thaddeus, for thinking of thick thongs for thin things") and a voiced form ("rather thy bothersome, blathering brotherhood than Mother's lather, Smithers"). 

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Accent in Estonian is more regular than in English, falling on the first syllable in truly native words, and going to some other syllable in only a subset of the imported words (the eatery is a "RES-to-ran", even as in a native Estonian word; but "Pa-RIIS" is the French capital). (Uncle R, in 1950s or 1960s occupied Tallinn, sent Dad a book of travel memoirs: the author was struck at dockside by the way inglise keel, English, sounds  hüplev, "jumpy".)

A more systematic study would linger over questions of secondary accent, in those long words which are the glory of Estonian as of German -  "TAgavaraREhepeksuMAsinateta" - "in the absence of reserve threshing machines". ("TAgavara" = "reserve"; "REhi" = "threshing floor"; "peks" = "beating"; "MAsin" = "machine", "MAsinad" = "machines", "MAsinateta" = "without machines".)

A more systematic study would additionally attend to palatization, which Estonian shares with Russian. The palatized "palk", or "board/beam", for instance, is a different word from the unpalatized "palk", or "pay/wages". (The difference might perhaps be marked crudely by writing, albeit in defiance of the established orthography, "paljk", for the palatized word, keeping for the unpalatized word the received spelling "palk".) 

And a more systematic study would also pay some attention to a rather exotic feature of Estonian (already hinted at in my reference to "superlong" syllables in the examination of the alphabet), involving a trio of syllable "durations". This stands in contrast with most languages. Latin, for instance, has a less elaborate two-way scheme, in which every syllable is deemed simply either "long" or "short".

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We cannot think in Estonian unless we have a modest ability to read Estonian printed letters and turn them into approximately correct phonemes. Perfection is not to be sought at this early stage. The reader need seek only to avoid the lamentable situation I found myself in toward the end of the Cold War, chatting over cocktails and canapés, or something similar, with a Dean at the University of Notre Dame in Indiana. 

Our conversation on that unhappy afternoon or evening ran more or less as follows:

DEAN: And so there is some diplomatic activity, despite the occupation?

ME: Oh yes actually, we have for instance a Consul in New York actually actually, Dr Aarand Roos. 

DEAN: How do you spell that?

ME: With four letters - R-like-Romeo, O-like-Oscar, O-like-Oscar, S-like-Sierra. 

DEAN: Ah yes. We would pronounce that "RUUS". 

(At this point I successfully suppressed the urge to make some biting remark, about Cultural Imperialism or something. I guess it was time to switch over to a topic the Dean might prove better at - as it might conceivably have been, to Catholicism, or to American-rules football.) 

For the reader's vocal practice, I adapt, taking on Estonian spelling and incorporating an appropriate ethnic reference to Estonia, an ethnically non-Estonian (in the original, perhaps ethnically German?) joke that I heard some years ago: 

Raadio disress kool is höörd at Estonian Kõustgaard onšoor fasilliti. Fromm šipp kamms öördžent messidž: "Help, help, vii aar SINKING."

Estoonian fasilliti votš-offiser sez into reidio, "Yes, gõu onn, pliiz."

Šipp reidio riplaiz, "Vii are SINKING."

Estoonian votš-offiser transmitts, "Kontinjuu, pliiz; tell as moor."

Šipp reidio häs traabl bii-ink peišent, änt kontinjuus nau in samm änger, "Vii are SINKING: MEI-dei, MEI-dei, juu idi-otts; vii are SINKING."

Estoonian offiser izz peišent. Viss-aut getting ät oll ängri, he sez into maikrofõun: "Jess, ziss is guud, ziss is konstraktiff - but tell us pliiz, vott aar juu sinking a-BAUT?"


Although this should be self-explanatory (the point of the joke is that Estonian phonetics lacks the Icelandic thorn, i.e., the Greek theta), I do take the precaution of gilding my lily, by writing my anekdoot also in the irrational spelling system of Anglosaxonia:

A radio distress call is heard at an Estonian Coastguard onshore facility. From the ship comes an urgent message: "Help, help, we are SINKING." 

The Estonian facility watch-officer says into his radio: "Yes, go on, please." 

The ship radio replies, "We are SINKING." 

The Estonian watch-officer transmits, "Continue, please; tell us more." 

The ship radio has trouble being patient, and continues now in some anger, "We are SINKING. MAYday, MAYday, you idiots; we are SINKING." 

The Estonian officer is patient. Without getting at all angry,  he says into the microphone, "Yes, this is good, this is constructive - but tell us please, what are you thinking ABOUT?" 



3.3 Some Syntax

Where Latin nouns have just five cases (including the rather inconspicuous vocative), or six if the archaic locative (contrary to common classroom practice) be added, Estonian has fourteen. 

To hope happily with the little thinking-in-Estonian exercise I am about to present, the reader need possess only the dim awareness that multiple cases do exist. 

Nevertheless, I do add a list here, showing in a rough-and-ready way how the cases run:

1. Nominative ----- nimetav:  leib   = bread; leivad = breads
2. Genitive ---- omastav:  leiva = of-the-bread; leibade = of-the-breads
3. Partitivfe ---- osastav:  leiba = some bread (as when one eats some bread); leibu = some breads
....
4. Illative ----- sisseütlev: leivasse/leiba = into (the) bread; leibadesse = into (the) breads
5. Inessive ---- seesütlev: leivas = within (the) bread; leibades = within (the) breads
6. Elative ---- seestütlev: leivast = from within (the) bread; leibadest = from within (the) breads
....
7. Allative ---- alaleütlev: leivale = onto (the) bread; leibadele = onto (the) breads
8. Adessive ----alalütlev: leival = on (the) bread; leibadel = on (the) breads
9. Ablative ---- alaltütlev: levalt = from on (the) bread; leibadelt = from on (the) breads
....
10. Translative ---- saav: leivaks = for, as, into (the) bread ; leibadeks = for, as, into (the) breads
11. Essive ---- olev: leivana = as (the) bread; leibadena = as (the) breads
12. Terminative ---- rajav: = leivani up to (the) bread; leibadeni =  up to (the) breads
13. Abessive ---- ilmaütlev: leivata = without (the) bread; leibadeta = without (the) breads
14. Comitative ---- kaasaütlev: leivaga = with (the) bread; leibadega = with (the) bread

This will inevitably be more than a little cryptic. What is going on with "some" and "the" and "(the)"? A full explanation will have to wait on a systematic study of the Estonian case system, such as a formal textbook provides. For the present inexact purposes, it suffices to make just a handful of remarks:


  • Estonian resembles Latin (and diverges from Hebrew) in lacking a definite article. Estonian partly compensates for this semantic gap by distinguishing "partial object" from "total object". English distinguishes "They are buying bread" from "They are buying the bread." Estonian, in a loosely analogous way, distinguishes the "partial object" construction "Nemad ostavad LEIBA" (in which the object of the verb is in the partitive case) from the "total object" construction "Nemad ostavad LEIVA" (in which the object of the verb, being singular, is in the genitive case: singular total objects are in the genitive, and  plural total objects are in the nominative: for the admittedly rather odd "They are buying breads/They are buying the breads," Estonian has "Nemad ostavad LEIBU/Nemad ostavad LEIVAD"). 
  • The correspondence with English absence-of-definite-article and English presence-of-definite article is admittedly inexact. Strictly speaking, Estonian uses the total object for an action which is presented as in some sense complete and well demarcated. So, for instance, the partial-object construction "Nemad söövad [are eating] LEIBA" reflects the usual situation, in which people are being polite enough, making their consumption of bread an indefinitely demarcated activity. Perhaps they are nibbling on bread sticks, awaiting the waiter's approach with soup. "Nemad söövad LEIVA" (total object), on the other hand, means "They are engaged in eating up the bread." This would mean that the diners have embarked on some furious project of gobbling the available bread consignment up in its entirety, in the spirit of the sausage-loving dog in my upcoming philological joke, or in the spirit of the USA-television "Cookie Monster".

Surely the stickiest feature of the Estonian case system is this distinction between total and partial object. Most other features of the case system are easy. For the present, inexact, purposes, it suffices to give a mere list of illustrations:

1. Nominative ----- nimetav: Leib on siin (The bread is here)

2. Genitive ---- omastav: leiva hind (the price of some bread/the price of the (particular, indicated) bread; leibade hinnad (the prices of breads-in-general/the price of the (particular, indicated) breads)

3. Partitive ---- osastav: Siin on leiba; veokis on leibu (There is some bread here; there are some breads (some crates of baguettes, some crates of panini) in the lorry/truck)
....

4. Illative ----- sisseütlev: Uss ronis leivasse; hiired jooksid leibadesse (The worm crawled into the bread (or into some bread); the mice ran into the breads, i.e. into the pile of bread crates in the lorry - or, alternatively, ran into some pile-of-breads or other); a  famous song ends with the sentence Raiusin kõik raamatusse = "I chiselled it all into a book" (cf in YouTube "Veikko Ahvenainen Lauliku lapsepõli", upload of user "saurus000000" - the singer recalls her/his childhood, and how (s)he wrote it all down for posterity) 

5. Inessive ---- seesütlev: Uss on leivas; hiirte salk varjus ennast leibades (The worm is inside the bread, or inside some bread; the band of mice concealed itself inside the breads/inside some breads - e.g., in the interstices of the pile of bread crates in the warehouse)

6. Elative ---- seestütlev: Uss tuli leivast; leivast sai kanatoit/leibadest sai Vanadema kanatoit (The worm came from, emerged from, some bread or the bread/From some bread or the bread came - was produced - Gran's chickenfeed); Soomest tuli üks nõid (One wizard came out of Finland - emerging, so to speak, from the dark and brooding interior); James Thurber'i jutus nõid väänab verd kaalitakest ja kaalikaid verest (In the James Thurber story, the wizard squeezes blood out of  turnips, and turnips out of blood
 ....
7. Allative ---- alaleütlev: Ta paneb võid leivale (He/she/it puts some butter onto some bread, or onto the bread)

8. Adessive ----alalütlev: Leival on paks koor (On the bread is a thick crust); or again Harjumaal on uus nädalaleht ("On Harju County is a new weekly newspaper" - i.e., "Harju County has, possesses, a new weekly newspaper"). A third, now twofold, illustration of usage is furnished by the campfire-or-pub song which runs,  See oli ennemuistsel a'al/ Kui heeringas elas kuival maal [(i) poetic contraction for ennemuistsel ajal - nominative singular, genitive singular, and nominative plural ennemuistne aeg ("prehistoric time"), ennemuistse aja ("of a prehistoric time"), ennemuistsed ajad ("prehistoric times"); (ii) nominative singular, genitive singular, and nominative plural are kuiv maa ("dry land"), kuiva maa ("of dry land"), and kuivad maad ("dry lands")]. The rhyming couplet in its entirety translates, "That was on/upon a prehistoric time [English analogously says "once UPON a time"]/ When the herring lived on dry land." - The next couplet explains that herrings in that epoch had an aversion to water, and that people kept them in the manner of cats:  See oli ennemuistsel a'al,/ Kui heeringas elas kuival maal./ Ta hoidis ennast eemal veest/ Ja teda peeti kassi eest.

9. Ablative ---- alaltütlev: Levalt tilgub sulavõid (From on some bread, or from the bread, is dripping some melted butter); Soomelt tuleb üks purjelaev (One sailing ship is coming from from - from, so to speak, the surface or edge of - Finland) 
....
10. Translative ---- saav: Taigen saab leivaks (The dough is becoming bread - as when the duly kneaded loaf is heating up in the oven); kivid said leibadeks (The stones turned into "breads" (into a number of loaves))

11. Essive ---- olev: Me pidime kooki sööma leivana ("We had to eat bread as cake" - perhaps the year is 1789, and Marie Antoinette has just said, with reference to the hungryr, Qu'ils  mangent de la brioche

12. Terminative ---- rajav: Õllelomp ulatus leivani; õllelomp ulatus leibadeni (Tartu student fraternity, in a beery celebration of Brüderschaft in the German academic tradition, with heavy mugs (steins) on the table - "The beer puddle reached right up to the bread/The beer puddle reached right up to the breadloaves": in a student fraternity, one's Cantusbuch , or songbook - this German loanword itself incorporates a bit of Latin - is on occasion equipped with studs on one cover, so that Cantusbuch can be laid horizontally on  beer puddle without the beer wetting its pages)

13. Abessive ---- ilmaütlev: Taluomanikud olid leivata, olid koguni tagavararehepeksumasinateta (The owners-of-farms were without bread (singular), were without even reserve threshing machines (plural)) 

14. Comitative ---- kaasaütlev: Helpful illustration of multiple possibilities, in a philological joke told me by Mum when I was  small - Ema, ema, koer sõi mu leiva ära! - Oi, mu laps: kas MEELEGA? - Ei, Ema, VORSTIGA.  "Mum, Mum, the dog totally ate up my bread! - O my child: with maliciouis intent? - No, Mum, with sausage."


3.4 An Exercise in Estonian Thinking


For our exercise in Estonian thinking, I take a passage from (roughly) the twelfth and thirteenth pages of a dark classic of the occupation, Viivi Luik's  Seitsmes rahukevad  ("The Seventh Peacetime Spring"). This exercise in historical critique, cast as a child's naive memoir, was published in Tallinn at the house "Eesti Raamat" in 1985, to a total length of around 190 pages. In quoting from it, I hope and believe I am staying safely within the "Fair Use" terms of copyright law. I make this legally optimistic assumption because my quoted material is just one tiny portion - comprising under two-thirds of one page - from a hefty whole.

I gather that although some partial translation of this book into English exists, somewhere, there is presently no full English translation.

For author Viivi Luik generally, the English-language https://en.wikipedia.org/wiki/Viivi_Luik supplies just a few tantalizing biographical details. No doubt more helpful - but I have not yet had time to examine it - is the Estonian-German-English site http://www.viiviluik.ee/.

**** 

A few additional prefatory remarks:


  • For each sentence from Viivi Luik, my reader will want first (1) to glance over my offered initial vocabulary; then (2) to read aloud the sentence as I write it out in a mixture of Estonian and English, in so-to-speak "eestlish" ("eestlane" = "Estonian individual"; "eesti keel" = "Estonian language") - reading aloud repeatedly, until the always-so-plastic brain begins thinking in "eestlish"); and finally (3) to read Viivi Luik's actual sentence, aloud, repeatedly, in Estonian, until the neurons in their plasticity nudge "eestlish" thinking out in favour of fully eesti thinking. 
  • To help the reader in possible subsequent systematic studies, I have taken the liberty of typesetting some specially useful words, such as forms of the verb "to be", in ALL-CAPS.
  • Estonian sometimes typesets unusual, exotic, words and turns of phrase   l i k e    t h i s, in sõrendamine", or "thinning-out". It is really a rather pretentious device, suitable for discussing in scholarly print such things as the Japanese tea ceremony, or again the rites de passage of adolescent Papua New Guinea highlanders, or perhaps again some concept in differential topology - we find ourselves defining integrals on m a n i f o l d s, with a restriction in the case of flux integrals to those specially-well-behaved manifolds that, in contradistinction from the dreaded Möbius strip, are o r i e n t a b l e. Viivi Luik uses the so-scholarly typesetting device to comedic effect, conveying the idea that to her child-narrator not only is the refrigerator an exotic, never-to-be-seen anthropological construct, but so also are toasted bread, orange juice, and bedtime baths.
  • In reading aloud the ending, with its haunting references to the final red glow in the western sky and to darkening greenery,  one should picture an August evening at the high latitudes - in the British case, in the Orkneys; in the Canadian case, at the port of Churchill. The twilight at 58-or-59-degrees-north lingers for a long time, since the Sun is for a long time gliding just a few degrees below the horizon. The summer has seen eerily long days, with the late-June dusk almost merging into pre-dawn twilight. Now, however, the nights that are getting long, and even children know the still-luxurious greenery is in due course going to be replaced with snow. 
  • Viivi Luik's final "Fiftieth Year" is puzzling: is her reference to the year 1950 (given that her book ends in, if my arithmetic is right, the year 1952), or to the Fiftieth Year of the grandmother's housekeeping in an unwelcoming environment? Are the readers themselves, perhaps, supposed to suffer pangs of uncertainty regarding Viivi Luik's exact chronological reference?
****



sein, seina, seinad
= wall, of-a-wall, walls

tuba, toa, toad
= room, of-a-room, rooms

ees =
front

mina/ma olen
Sina/Sa oled
tema/ta on
meie/me oleme
Teie,teie/Te,te olete
nemad/nad on
= I am
thou art
he/she/it is
we are
ye are
they are;
mina/ma olin
Sina/Sa olid
tema/ta oli
meie/me  olime
Teie,teie/Te,te olite
nemad/nad olid
= I was
thou wert
he/she/it was
we were
ye were
they were

mina/ma löön
Sina/Sa lööd
tema/ta lööb
meie/me lööme
Teie,teie/Te,te lööte
nemad/nad löövad
= I pound
thou poundest
he/she/it poundeth
we pound
ye pound
they pound;
löödud
= pounded, pounded in

pikk, pika, pikad =
long, of-a-long, long (plural)

jäme, jämeda, jämedad =
thick, of-a-thick, thick (plural)

nael, naela, naelad
= nail, of-a-nail, nails

ots, otsa, otsad
= end, of-an-end, ends

rätik, rätiku, rätikud
= cloth, of-a-cloth, cloths

pea, pea/pää, pead/pääd
= head, of-a-head, heads

põld, põllu, põllud
= apron, of-an-apron, aprons

ja =
and


üks, ühe =
one, of-one;
kaks, kahe =
two, of-two;
kolm, kolme =
three, of-three;
neli, nelja =
four, of-four;
viis, viie =
five, of-five


saag, sae, saed
= saw, of-a-saw, saws

vibu, vibu, vibud
= bow, of-a-bow, bows

/.../ into the seinad of the eestuba OLI löödud some PIKAD jämedad naelad; on their otsad hung some rätikud of the pea type, some põllud JA ÜKS saag of the vibu type.

/.../ eeestoa seintesse OLI löödud PIKKI jämedaid naelu, nende otsas ripnes pearätikuid, põllesid JA ÜKS vibusaag.


painduv, painduva, painduvad
= flexible, of-a-flexible, flexible (plural)

mees, mehe, mehed
= man, of-a-man, men

üks, ühe; kaks, kahe; kolm, kolme; neli, nelja; viis, viie
= one, of-one; two, of-two; three, of-three; four, of-four; five, of-five

pink, pingi, pingid
= bench, of-a-bench, benches;
kruu- = equipped with (or of pertaining to) a carpenter's vise

nurk, nurga, nurgad
= corner, of-a-corner, corners

tasakesi =
quietly

PIKAD painduvad saed of the kahemehe type were standing in the eestuba behind the kruupink in the nurk and jingled tasakesi when people walked around in the tuba.

PIKAD painduvad kahemehelised saed seisid eestoas kruupingi taga nurgas ning kõlisesed tasakesi, kui toas käidi.

+

tala, tala, talad
= beam, of-a-beam, beams

lagi, lae, laed
= ceiling, of-a-ceiling, ceilings

mina/ma paistan
Sina paistad
tema/ta paistab
meie/me paistame
Teie,teie/Te,te paistate
nemad paistavad
=
I appear
thou appearest
he/she/it appeareth
we appear
ye appear
they appear;
mina/ma paistsin
Sina paistsid
tema/ta paistis
meie/me paistsime
Teie,teie/Te,teie paistsite
nemad paistsid
=
I appeared
thou didst appear
he/she/it appeared
we appeared
ye appeared
they appeared

kangasoad
= weaver's reeds

From between the talad of the lagi paistsid kangasoad.

Laetalade vahelt paistsid kangasoad.


kandiline, kandilise, kandilised
= square-edged/angular, of a square-edged, square-edged (plural)

ise
= themselves;
mina ise olen = I myself am;
Sina ise paistad =
thou dost thyself appear

pruun, pruuni, pruunid
= brown, of-a-brown, brown (plural)


Talad ise OLID kandilised, jämedad JA pruunid.




kogu =
the entire

Kogu lagi OLI pruun.




ema, ema, emad =
mother, of-a-mother, mothers

köök, köögi, köögid =
kitchen, of-a-kitchen, kitchens

I followed EMA into the köök.

Läksin EMA järele kööki.



väljas =
outside

pime, pimeda, pimedad
= dark, of-a-dark, dark (plural)

mina/ma ei ole/pole
Sina/Sa ei ole/pole
ta ei ole/pole
meie/me ei ole/pole
Teie,teie/Te/te ei ole/pole
nemad/nad ei ole/pole
= I am not
thou are not
he/she/it is not
we are not
ye are not
they are not

latern, laterna, laternad =
lantern, of-a-lantern, lanterns (plural)

mina/ma põlen
Sina/Sa põled
nemad/nad põlevad
meie/me põleme
teie/te põlete
nemad/nad põlevad
= I burn
thou burnest
he/she/it burneth
we burn
ye burn
they burn
thou burnest;
mina/ma põlesin
Sina/Sa põlesid
nemad/nad põlesid
meie/me põlesime
Teie,teie/Te,te põlesite
nemad põlesid =
I burned
thou didst burn
he/she/it burned
we burned
ye burned
they burned 

aga =
but

juba =
already

VÄLJAS  POLNUD pime, AGA in the köök a latern JUBA põles.

VÄLJAS POLNUD pime, AGA köögis põles JUBA latern.

+

vana, vana, vanad =
old, of-the-old, old (plural);
vanaema, vanavanaema, vanavanavanaema =
  grandmother, great-grandmother, great-great grandmother

kartul, kartuli, kartulid =
potato, of-a-potato, potatoes

piht, pihu, pihud
= palm, of-a-palm, palms

peo, peo, peod =
hand, of-a-hand, hands

siga, sea, sead =
pig, of-a-pig, pigs

söök, söögi, söögid =
food, of-a-food, foods

pada, paja, pajad =
pot, of-a-pot, pots

aur, auru, aurud =
vapour/steam , of-a-vapour, vapours

mina pigistan
Sina/Sa pigistad
tema/ta pigistab
meie/me pigistame
Teie,teie/Te,te pigistate
nemad/nad pigistavad =
I squeeze
thou squeezest
he/she/it squeezed
we squeeze
ye squeeze
they squeeze;
mina pigistasin
Sina/Sa pigistasid
tema/ta pigistas
meie/me pigistasime
Teie,teie/Te,te pigistasite
nemad/nad pigistasid =
I squeezed
thou didst squeeze
he/she/it squeezed
we squeezed
ye squeezed
they squeezed

mina higistan
Sina/Sa higistad
tema/ta higistab
meie/me higistame
Teie,teie/Te,te higistate
nemad/nad higistavad =
I sweat
thou sweatest
he/she/it sweated
we sweat
ye sweat
they sweat;
mina higistasin
Sina/Sa higistasid
tema/ta higistas
meie/me histasime
Teie,teie/Te,te higistasite
nemad/nad higistasid =
I sweated
thou didst sweat
he/she/it sweated
we sweated
ye sweated
they sweated

Vanaema squeezed boiled kartulid to pieces with her peo into the seasöök, from the padad arose aur and the seinad higistasid.

Vanaema pigistas keedetud kartuleid peoga seaöögi sisse puruks, padadest tõusis auru ja seinad higistasid.

+


kümme, kakskümmend, kolmkümmend, nelikümmend, viiskümmend =
ten, twenty, thirty, forty, fifty

aasta, aasta, aastad =
year, of-a-year, years


Viiskümmend aastat oli vanaema siin kartulid of the siga type pigistanud to pieces.

Viiskümmend aastat oli vanaema siin seakartulid puruks pigistanud. 

+

kitsas, kitsa, kitsad =
narrow, of-the-narrow, narrow (plural)

kõrge, kõrge, kõrged =
high, of-the-high, high (plural)

ruum, ruumi, ruumid =
room, of-a-room, rooms

nõgine, nõgise, nõgised =
sooty (or sometimes, by extension, just grimy, soiled), of-a-sooty, sooty (plural)

uks, ukse, uksed =
door, of-a-door, doors

labidas, labida, labidad =
shovel, of-a-shovel, shovels

leib, leiva, leivad =
bread, of-a-bread, breads

luud, luua, luuad =
broom, of-a-broom, brooms

ahju, ahju, ahjud =
oven, hearth, wood-burning stove, wood-burning heater  

puss, pussi, pussid =
hunting-knife, of-a-hunting-knife, hunting-knives

sigadetapp = killing of pigs
(kanatapp = slaughter of a chicken (kana), enesetapp = suicide)

The kitsas kõrge ruum with a nõgine lagi, behind the UKS the labidas of LEIB type and luud of ahju type, on the sein the pussid of type sigadetapp.

Kitsas kõrge ruum nõgise laega, ukse taga nurgas leivalabidas ja ahjuluud, seina peal seatapupussid.

+

pink, pingi, pingid =
bench, of-a-bench, benches

vesi, vee, veed =
water, of-a-water, waters

pang, pangi, pangid =
pail (bucket), of-a-pail, pails

pakk, paku, pakud =
chopping-block, of-a-chopping-block, chopping-blocks

mina raiun
Sina/Sa raiud
tema/ta raiub
meie/me raiume
Teie,teie/Te,te raiute
nemad raiuvad =
I chop
thou choppest
he/she/it choppeth
we chop
ye chop
they chop;
raiumine = chopping (also chiselling, as when making an inscription in stone) 

kauss, kausi, kausid =
bowl, of-a-bowl, bowls

mina pesen
Sina/Sa pesed
tema/ta peseb
meie/me peseme
Teie,teie/Te,te pesete
nemad/nad pesevad =
I wash
thou washest
he/she/it washeth
we wash
ye wash
they wash;
pesemine = washing

silm, silma, silmad =
eye, of-an-eye, eyes

The pink for the pang of vee type, the pakk for raiumine and the KAUSS for the pesemine of SILMAD.

Veepangepink, raiepakk ja silmapesukauss.

+

pitsiline, pitsilise, pitsilised =
lacy, of-a-lacy, lacy (plural)

serv, serva, servad =
edge, of-an-edge, edges

paber, paberi, paberid =
paper, of-a-paper, papers

kus =
where

mina/ma seisan
Sina/Sa seisad
tema/ta seisab
meie/me seisame
Teie,teie/Te,te seisate
nemad/nad seisavad =
I stand
thou standest
he/she/it standeth
we stand
ye stand
they stand;
mina/ma seisin
Sina/Sa seisid
tema/ta seisis
meie/me seisime
Teie, teie/Te,te seisite
nemad/nad seisid =
I stood
thouu didst stand
he/she/it stood
we stood
ye stood
they stood

toos, toosi, toosid =
tin, of-a-tin, tins

kompvek, kompveki, kompvekid =
candy, of-a-candy, candies

kööme, köömne, köömned =
caraway, of-a-caraway, caraways

piparmünt, piparmündi, piparmündid =
peppermint, of-a-peppermint, peppermints (plural) [noun and adjective]

vars, varre, varred =
stem, of-a-stem, stems

õis, õie, õied =
blossom, of-a-blossom, blossoms

pärn, pärna, pärnad =
linden, of-a-linden, lindens

The PABER on the riiulid, with pitsilised servad, KUS SEISID rusty old toosid of kompvek type with köömned, piparmundi varred and õied of pärn.

Pitsiliste servadega paber riiulitel, kus seisid vanad roostetanud kompvekitoosid köömnete, piparmündivarte ja pärnaõitega.


aken, akna, aknad =
window, of-a-window, windows

ruut, ruudi, ruudud =
square, of-a-square, squares

külm, külma, külmad =
cold, of-a-cold, cold (plural)

põrand, põranda, põrandad =
floor, of-a-floor, floors

tsement, tsemendi, tsemendid =
cement, of-a-cement, cements
[a foreign term which takes its accent on the final syllable,
in contrast with the normal stress-the-first-syllable rule]  

An AKEN with KAKS ruutu and a KÜLM põrand of tsement type.

Kahe ruuduga AKEN ja KÜLM tsementpõrand.

++

nõu, nõu, nõud =
dish, of-a-dish, dishnes

pesu, pesu, pesud =
washing, of-a-washing, washings

masin, masina, masinad =
machine, of-a-machine, machines

külmutus =
chilling, cooling

kapp, kapi, kapid =
cupboard, of-a-cupboard, cupboards

sinine, sinise, sinised =
blue, of-a-blue, blue (plural)

hele, heleda, heledad =
light-or-bright, of-a-light-or-bright, light-or-bright (plural) 

valge, valge, valged =
white, of-a-white, white (plural)

laud, laua, lauad =
table, of-a-table, tables

mahl, mahla, mahlad =
juice, of-a-juice, juices

pehme, pehme, pehmed =
soft, of-a-soft, soft

muna, muna, munad =
egg, of-an-egg, eggs

hommik, hommiku, hommikud =
morning, of-a-morning, mornings

ainult = only;
meist ainult kilomeeter =
away from us at a distance of just one kilometre

mõni = some;
sada = hundred;
mõnisada = a few hundred

mina/ma äratan
Sina/Sa äratad
tema/ta äratab
meie/me äratame
Teie,Te/teie,te äratate
nemad äratavad =
I awaken
thou awakenest
he/she/it awakeneth
we awaken
ye awaken
they awaken;
äratav
äratava
äratavad =
of a character to awaken
of of-a-character-to-awaken
of a character to awaken (plural)

hirm, hirmu, hirmu =
fear, of-a-fear, fears

kujutav, kujutava, kujutavad =
depictable, of-depictable, depictable (plural);
ette = in front, ahead of oneself;
ettekujutav, ettekujutava, ettekujutavad =
imaginable, of-imaginable, imaginable (plural);
ettekujutamatu, etteujutamatu, ettekujutamatud =
unimaginable, of-unimaginable, unimaginable (plural)

Nõudepesumasinad, külmutuskapid, a helesinine ceramic heater and a valge ceramic heater, LAUAD with plastic covers, / ... / , toasted LEIVAD, mahl from oranges, PEHMED 3-minuti MUNAD of HOMMIKU type olid meist AINULT mõnisada kilometeetrit, hirmuäratavad JA ettekujutamatud.

N õ u d e p e s u m a s i n a d, k ü l m u t u s k a p i d, helesinine k a h h h e l JA VALGE k a h h e l, p l a s t i k k a t t e g a LAUAD /.../ r ö s t i t u d LEIVAD, a p e l s i n i mahl, PEHMED 3-minuti HOMMIKUMUNAD olid meist AINULT mõnesaja kilomeetri kaugusel, hirmuäratavad JA ettekujutamatud.

+

kusagil =
somewhere

mina/ma elan
Sina/sa elad
tema/ta elab
meie/me elame
Teie,teie/Te,te elate
nemad elavad =
I live
thou livest
he/she/it liveth
we live
ye live
they live;
mina/ma elasin
Sina/sa elasid
tema/ta elas
meie/me elasime
Teie,teie/Te,te elasite
nemad elasid =
I live
thou didst live
he/she/it lived
we lived
ye lived
they lived

inimene, inimese, inimesed =
person, of-a-person, persons -
what I recall, without having time to get words exact, of  
most famous line in Estonian cinema from this 1970s-thru-1980s period
(said by a sleek Tallinn matron visiting the island of Muhu,
and seeking accommodations): "John, ütle talle, et meie maksame;
meie oleme Tallinnast; meie oleme NÕUKOGUDE inimesed";
"John, tell her that we are going to pay; we are from Tallinn;
we are SOVIET persons")

heeringas, heeringa, heeringad =
herring, of-a-herring, herrings
(cf rhyming-couplet  illustration of Adessive, i.e., of alalütlev, case, above)

enne =
before

kui =
when

ta, tema, teda =
it, of-it (also as total object), it (partial object)

enne kui =
before ("before when")

ma hakkan sööma
Sina/Sa hakkad sööma
tema/ta hakkab sööma
meie/me hakkame sööma
Teie/te hakate sööma
nemad hakkavad sööma =
I am starting to eat
thou art starting to eat
he/she/it is starting to eat
we are starting to eat
ye are starting to eat
they are starting to eat;
ma hakkasin sööma
Sina/Sa hakkasid sööma
tema/ta hakkas sööma
meie/me hakkasime sõõma
Teie,teie/Te,te hakkasite sööma
nemad/nad hakkasid sööma =
I was starting to eat
thou wert starting to eat
he/she/it was starting to eat
we were starting to eat
ye were starting to eat
they were starting to eat


KUSAGIL lived inimesed who would skin their heeringas ENNE KUI starting to eat it. /.../

kuSAGIL elasid ininmesed, kes nülgisid heeringa ENNE ära, KUI nad teda sööma hakkasid.


mina/ma jooksen
Sina/Sa jooksed
tema/ta jookseb
meie/me jookseme
Teie,teie/Te,te jooksete
nemda jooksevad =
I run
thou runnest
he/she/it runneth
we run
ye run
they run;
jooksmas =
running

vann, vanni, vannid =
bath, of-a-bath, baths

aeg, aja, ajad =
time, of-time, times

laps, lapse, lapsed =
child, of-a-child, children

minema = to go;
minemas = going

mina/ma magan
Sina/Sa magad
tema/ta magab
meie/me magame
Teie,teie/Te,te magate
nemad magavad =
I sleep
thou sleepest
he/she/it sleepeth
we sleep
ye sleep
they sleep;
magama = to sleep

minemine, minemise, minemised =
a going, of-a-going, goings

peegel, peegli, peeglid =
mirror, of-a-mirror, mirrors

udune, uduse, udused =
foggy, of-a-foggy, foggy (plural)

paks, paksu, paksu =
thick, of-a-thick, thick (plural)

varn, varna, varnad =
hook, of-a-hook, hooks

mina/ma ootan
Sina/Sa ootad
tema/ta ootab
meie/me ootame
teie/te oodate
nemad ootavad =
I wait
thou waitest
he/she/it waiteth
we wait
ye wait
they wait;
mina/ma ootasin
Sina/Sa ootasid
tema/ta ootas
meie/me ootasime
Teie,Te/teie,te ootasite
nemad ootasid =
I waited
thou didst wait
they waited
we waited
ye waited
they waited

voodi, voodi, voodid =
bed, of-a-bed, beds

särk, särgi, särgid =
shirt-or-town, of-a-shirt-or-gown, shirts-or-gowns

öö, öö, ööd =
night, of-a-night, nights

KUSAGIL vesi was already jooksmas into the vann, it was the AEG for the LAPSED to be MINEMAS to magama, the peeglid were turning udused, PAKSUD bath towels hung on the varn and OOTASID, the VOODID were made, the SÄRGID of ÖÖ type were being put onto the LAPSED.

KUSAGIL jooksis vesi juba v a n n i, oli LASTE magaMINEKUAEG, peeglid muutusid uduseks, PAKSUD vannilinad rippusid varnas ja OOTASID, VOODID olid üles tehtud, ÖÖSÄRGID aeti lastele selga. /.../ 



võib =
it is permitted, it could be;
võib-olla =
it could be that

see, selle, need =
this, of-this, these

hetk, hetke, hetked =
moment (instant), of-the-moment, moments

mina/ma vannitan
Sina/sa vannitad
tema/ta vannitab
meie/me vannitame
Teie,teie/Te,te vannitate
nemad/nad vannitavad =
I give-a-bath-to
thou givest-a-bath-to
he/she/it giveth-a-bath-to
we give-a bath-to
ye give-a-bath-to
they give-a-bath-to;
vannitati =
were-being-given-a-bath

vabadus, vabaduse, vabadused =
freedom, of-freedom, freedoms;
tee, tee, teed =
thoroughfare, of-a-thorougfare, thoroughfare;
puu, puu, puud =
tree, of-a-tree, trees;
puiestee, puiestee, puiesteed =
boulevard, of-a-boulevard, boulevards;
Vabaduse puiestee =
"Boulevard of Freedom" (a 6-kilometre Tallinn boulevard)

päris =
fairly, pretty definitely

kindlel, kindla, kindlad =
certain (secure), of-a-certain, certain (plural);
kindlasti =
for sure, certainly

ka =
also

Sarkanarmija iela =
an analogue of Vabaduse puiestee, in Riga

Lönnrotinkatu =
an analogue of Vabaduse puiestee, in Helsinki

Valhallavägen =
an analogue of Vabaduse puiestee, in Stockholm


Perhaps at SEE HETK some (a-bunch-of; indefinite) LAPSED were being vannitatud KA on Sarkanarmijas iela JA on the Vabaduse puiestee, AGA PÄRIS KINDLASTI on Lönnrotinkatu and Valhallavägen.


Võib-olla vannitati SEL HETKEL LAPSI KA Karkanarmijas ielal ja Vabaduse puiesteel, AGA Lönnrotinkatul ja Valhallvägenil PÄRIS KINDLASTI.


seesama =
the very same

punane, punase, punased =
red, of-a-red, red (plural);
puna, puna, punad =
red blush (as in the West at dusk), of-a-red-blush, red blushes

tuhat, tuhande, tuhanded =
thousand, of-a-thousand, thousands

maja, maja, majad =
house, of-a-house, houses

roheline, rohelise, rohelsed =
green, of-a-green, green (plural);
rohelus, roheluse, rohelused =
expanse of greenery, of-an-expanse-of-greenery, expanses of greenery

õhtu, õhtu, õhtud =
evening, of-an-evening, evenings

ÜKS ja seesama  KÜLM puna over hundreds of tuhanded of majad, a growing-dim rohelus, in an ÕHTU in august in the Fiftieth aasta.

Üks ja seesama külm puna sadade tuhandete majade kohal, tumenev rohelus, viiekümnenda aasta augustiÕHTU.


++++

To pull this all together, I reproduce the passage in full, appending also my own full English translation: 

/.../ eeestoa seintesse oli löödud pikki jämedaid naelu, nende otsas ripnes pearätikuid, põllesid ja üks vibusaag. Pikad painduvad kahemehelised saed seisid eestoas kruupingi taga nurgas ning kõlisesed tasakesi, kui toas käidi. Laetalade vahelt paistsid kangasoad. Talad ise olid kandilised, jämedad ja pruunid. Kogu lagi oli pruun.

Läksin ema järele kööki. Väljas polnud pime, aga kõõgis põles juba latern. Vanaema pigistas keedetud kartuleid peoga seaöögi sisse puruks, padadest tõusis auru ja seinad higistasid. Viiskümmend aastat oli vanaema siin seakartuleid puruks pigistanud. Kitsas kõrge ruum nõgise laega, ukse taga nurgas leivalabidas ja ahjuluud, seina peal seatapupussid. Veepangepink, raiepakk ja silmapesukauss. Pitsiliste servadega paber riiulitel, kus seisid vanad roostetanud kompvekitoosid köömnete, piparmündivarte ja pärnaõitega. Kahe ruuduga aken ja külm tsementpõrand.

N õ u d e p e s u m a s i n a d, k ü l m u t u s k a p i d, helesinine k a h h h e l ja valge  k a h h e l, p l a s t i k k a t t e g a lauad /.../ r ö s t i t u d leivad, a p e l s i n i mahl, pehmed 3-minuti hommikumunad olid meist ainult mõnesaja kilomeetri kaugusel, hirmuäratavad ja ettekujutamatud. Kusagil elasid ininmesed, kes nülgisid heeringa enne ära, kui nad teda sööma hakkasid. /.../  Kusagil jooksis vesi juba v a n n i, oli laste magamaminekuaeg, peeglid muutusid uduseks, paksud vannilinad rippusid varnas ja ootasid, voodid olid üles tehtud, öösärgid aeta lastele selga. /.../ 

Võib-olla vannitati sel hetkel lapsi ka Sarkanarmijas ielal ja Vabaduse puiesteel, aga Lönnrotinkatul ja Valhallavägenil päris kindlasti. Üks ja seesama külm puna sadade tuhandete majade kohal, tumenev rohelus, viiekümnenda aasta augustiõhtu.


/.../ Long, thick nails had been pounded into the walls of the front room: on them hung headscarves, aprons and a bowsaw. Long, flexible two-man saws stood in the front room behind the carpenter's bench, in the corner, and jingled softly when people walked in the room. Weaver's reeds showed from between the rafters. The rafters themsevles were square-cut, thick, and brown. The entire ceiling was brown. 

I followed Mum into the kitchen. It was not dark outdoors, but a lantern was already burning in the kitchen. Gran squeezed boiled potatoes to bits in her hand for pig-food; from the pots rose steam, and the walls sweated. For fifty years Gran had been squeezing pig-potatoes to bits here. A narrow, high room with a sooty ceiling, behind the door in the corner a bread-baking shovel and the hearth-whisk, and on the wall the knives for butchering pigs. A bench for the water bucket, a chopping block and the bowl for washing one's eyes. Lacy-edged paper on the shelves, on which stood rusty old candy-tins with caraway seeds, peppermint stems, and linden blossoms. A window with two panes, and a cold cement floor. 

Dishwashers, refrigerators, a light blue ceramic heater, and a white ceramic heater, tables with plastic covering,  /.../ toasted bread, orange juice, soft-boiled three-minute morning eggs - were only a few hundred kilometres away from us, fearful and unimaginable. Somewhere lived people who would skin their herring before starting to eat it. /.../ Somewhere the water was already running into a bath, it was the children's bedtime, the mirrors were fogging up, thick bath towels hung on hooks and waited, beds were made, nightgowns got put onto children. /.../ 

Perhaps at that instant children were being given baths also on the Sarkanarmija iela and on the Freedom Boulevard, but most certainly on the Lönnrotinkatu and the Valhallavägen. One and the same cold red twilight over hundreds of thousands of houses, and over dimming greenery, on an August evening in the Fiftieth Year. 

--Has this experiment worked for the reader? Does it indeed prove possible to think in Estonian, before embarking on systematic studies of the language? And if the experiment has worked, then would someone be helped by my uploading other such bits of vocabulary-plus-Eestlish? Any private e-mail feedback would be gratefully received via Toomas.Karmo@gmail.com. - Readers are herewith respectfully reminded that explicit comments in the blogger formalism, as opposed to mere private e-mails, are vetted, under the rules published here in 2016 April. In brief, the rules are the following: there is no censorship of content, but also no anonymity: anyone posting via blogger is asked to incorporate in the body of the posting true name, verifiable e-mail address, and a disclosure of municipality-plus-country of current residence.  


[This essay to be continued, I hope, next week, in the four-hour UTC interval 20170214T0001Z/20170214T0401Z.] 


                                 

Monday, 30 January 2017

Toomas Karmo (Osa A/Part A): Maakeeleõppimise tegelikkus/ Practicalities of Studying Estonian

Kvaliteedihinnang ---- Quality assessment:

Viiepallise süstemi kohaselt, mis kehtib Eestis, ja vist ka naaberriikides, ja mis on küllaltki tuttav neile, kes on vaadelnud akadeemilisi tavasid mitte-küll-tagantigatsetud NSVL's (siin rakendades need vähenõudlikud, lõdvad normid, mida Kmo võtab kasutusele oma nii räpases, ettekujutatud "Aleksandr Stepanovitš Popovi nimelises sangarliku raadio instituudis" kui ka oma räpases, ettekujutatud "Nikolai Ivanovitš Lobatševski nimelises sotsialistliku matemaatika instituudis") - kus, nende vähenõudvate normide kohaselt, 1/5 on "eepiline läbikukkumine", 2/5 "läbikukkumine, mis pole siiski nii hull, et ta eepose tasemeni jõaks", 3/5 on "keskpärane", 4/5 on "hea", ja on 5/5 "kiduväärne"): 3/5. Põhjendus: Kmo leidis aega piisavalt põhjalikuks kirjutamiseks, kuid ei osanud oma võimalikke eestikeelseid keelevigu kätte leida ja parandada. ---- On the 5-point scale current in Estonia, and surely in nearby nations, and familiar to observers of the academic arrangements of the late, unlamented, Union of Soviet Socialist Republics (applying the easy and lax standards Kmo deploys in his grubby imaginary "Aleksandr Stepanovitš Popovi nimeline sangarliku raadio instituut" (the "Alexandr Stepanovitch Popov Institute of Heroic Radio") and his grubby imaginary "Nikolai Ivanovitš Lobatševski nimeline sotsalitsliku matemaatika instituut" (the "Nicolai Ivanovich Lobachevsky Institute of Socialist Mathematics") - where, on the lax and easy grading philosophy of the twin Institutes, 1/5 is "epic fail", 2/5 is "failure not so disastrous as to be epic", 3'5 is "mediocre pass", 4.5 is "good", and 5/5 is "excellent"): 3/5. Justification: Kmo had time to do a reasonably complete job, but lacked the skill to track down and correct his probable breaches of Estonian linguistic norms. 



Variandikroonika ---- Revision history:


  • 20170131T2156Z/variant 3.2.0: Kmo lisas materjali Põhjala kultiirisfääri teemal. Ta hoidis enda käes õiguse teha siinjuures pisikesi, puhtkosmeetilisi, parandusi järgmise 48 tunni jooksul, siin mitte-dokumenteeritud variantide 3.2.1, 3.2.2, 3.2.3, ... näol. ---- Kmo added material on the Nordic cultural sphere. He  reserved for himself the right to make tiny, purely cosmetic, tweaks over the coming 48 hours, as here-undocumented versions 3.2.1, 3.2.2, 3.2.3, ... . 
  • 20170131T2044Z/variant 3.1.0: Kmo lisas tänuavaldusi Winifred Oseri, Tiiu-Ann Salasoo, dr Hugo Salasoole, paater Vello Salole. Ta hoidis enda käes õiguse teha siinjuures pisikesi, puhtkosmeetilisi, parandusi järgmise 48 tunni jooksul, siin mitte-dokumenteeritud variantide 3.1.1, 3.1.2, 3.2.2, ... näol. --- Kmo added words of thanks to Winifred Oser, Tiiu-Ann Salasoo, Dr Hugo Salasoo, and Father Vello Salo. He reserved for himself the right to make tiny, purely cosmetic, tweaks over the coming 48 hours, as here-undocumented versions 3.1.1, 3.1.2, 3.1.3, ... . 
  • 20170131T1955Z/variant 3.0.0: Kmo lõpetas kondikava ümberkujundamist loetavatesse lausetesse. Ta nüüd alustas lihvimist. Ta hoidis enda käes õiguse teha siinjuures pisikesi, puhtkosmeetilisi, parandusi järgmise 48 tunni jooksul, siin mitte-dokumenteeritud variantide 3.0.1, 3.0.2, 3.0.2, ... näol. ---- Kmo finished converting his outline into coherent prose. He now starting polishing. He reserved for himself the right to make tiny, purely cosmetic, tweaks over the coming 48 hours, as here-undocumented versions 3.0.1, 3.0.2, 3.0.3, ... . 
  • 20170131T0033Z/variant 2.0.0: Kmo tõi oma kaootilise kondikava paremasse, loogilisemasse, seisundisse, peamiselt vaid eesti keeles. Ta nüüd alustas kondikava ümberkujundamise loetavatesse lausetesse, kirjutades mõlemas keeles.---- Kmo brought his chaotic outline into an improved, more logical, form, albeit largely in Estonian. He now began converting the outline into coherent prose, writing in both languages. 
  • 20170131T0005Z/variant 1.0.0: Kmo koostas kaootilise esialgse kondikava. Ta lootis seda ümber kujundada järgmise nelja tunni jooksul loetavasse vormi, nii eesti keeles kui inglise keeles. Ta aga kartis, et tal tuleks seda tõõd alles järgmisel päeval, s.o. 2017-01-31 Ontario päevaajal, lõpetada. ---- Kmo produced a chaotic provisional outline. He hoped to transform this over the coming four hours into readable prose, both in Estonian and in English. He feared, however, that he would have to finish on the next working day, i.e., in the Ontario daylight hours of 2017-01-31. 


[HOIATUS: Viga blogger-i serveritarkvaras on viimaste nädalate jooksul kippuud insereerima soovimata valgevahet niimõnda minu siinpakutud esseesse. Kui tundub, et kuvar lõppeb tühja ruumiga, tuleb minna hiireratta abil veel allapoole. Lõpp ei ole käes, kuni paistab tavaline blogger-i "Posted by Toomas (Tom) Karmo at". - Blogger-i tarkvara on ka kippunud tootma HTML'i, mida kujundavad erinevatel viisidel erinevad kliendipoolsed brauserid - kusjuures niimõnigi brauser ehk ei loe sisse oma täies ulatuses need "Kaskaadlastikud Stiililehed", mis mitme brauseri juures määratlevad äärevahede, kõrvalveerude (jne) paigutamise. Kui Teie aimate Kaskaadlastike Stiililehtede eksimuste olemasolu Teie brauseris, olge  kannatlikud: on tõenäone, et kuigi sisu on tõugatud mingisugusesse veidrasse paika (näiteks, brauseri alumise ääre vastu, kui ta peaks pigemini parema ääre vastu istuma), siiski on terve sisu Teie brauserisse kuidagiviisi laaditud, ühes või teises kummalises asendis. - Igaüks, kes sooviks aidata lahenduste otsimisel, või ka muid tehnilisi nõuandeid pakkuda, võiks julgesti mulle kirjutada, aadressil Toomas.Karmo@gmail.com. ---- CAUTION: A bug in the blogger server-side software has in some past weeks shown a propensity to insert inappropriate whitespace at some points in some of my posted essays. If a screen seems to end in empty space, keep scrolling down. The end of the posting is not reached until the usual blogger "Posted by Toomas (Tom) Karmo at" appears. - The blogger software has also shown a propensity to generate HTML that is formatted in different ways on different client-side browsers, perhaps with some browsers not correctly reading in the entirety of the "Cascading Style Sheets" which on many Web servers control the browser placement of margins, sidebars, and the like. If you suspect "Cascading Style Sheets" problems in your particular browser, be patient: it is probable that while some content has been shoved into some odd place (for instance, down to the bottom of your browser, where it ought to appear in the right-hand margin), all the server content has been pushed down into your browser in some place or other. - Anyone inclined to help with trouble-shooting, or to offer other kinds of technical advice, is welcome to write me via Toomas.Karmo@gmail.com.]





0. Käesoleva ajaveebiessee kohta üldiselt ---- About This Blog Posting

Praegune ajaveebi, ehk blogi, essee kujutab endast jätku möödunud nädala ingliskeelsele ajaveebi esseele, mille pealkirjaks oli "Why Study Languages?" ---- Today's blog essay is intended as a sequel to last week's blog essay, entitled "Why Study Languages?" 

Minu tänased sissejuhatavad tähelepanekud, essee alguses, pakuvad mõnel määral huvi neile, kes ei ole oma eesmärgiks seadnud eesti keele õppimise. Mõnel määral aga pakuvad need lõigud ka midagi eesti keele valdajatele, kellel on mingisugune üldine huvi kultuurinähtuste vastu. ---- Today's introductory remarks, at the beginning of the essay, to some extent will interest people who have not set themselves the goal of learning Estonian. But to some extent also, they will be of some use to Estonian speakers interested in general cultural phenomena. 

Neid sissejuatavaid tähelepanekuid ma koondan kahe alapeatüki alla, esse alguses: esiteks "Enne formaalsete õpingute alustamist: (A) eesti keel  oma laiemas kultuurilses kontekstis", ja teiseks "Enne formaalsete õpingute alustamist: (B) heliline taust laulusõnade abil". ---- I will assemble these remarks under two section headings, at the beginning of the essay: first "Before Starting Formal Studies: (A) Estonian in its Wider Cultural Context", and second "Before Starting Formal Studies: (B) The Auditory Background, via Song Lyrics".  

Edaspidi praeguses ajaveebiessees (seda ma kavatsen alles tuleval nädalal edasi kirjutada), kolmandast alapeatükist alates, tulevad minu peamised konkreetsed soovitused - peamiselt õpikute ja sõnaraamatute soovituste näol. See edaspidine osa vist huvitab ainult seda lugejat, kes tõesti kavatseb keelt õppida. ----Subsequently in the present essay (I hope to write this, in whole or in part, next week), starting with the third section, are my principal concrete suggestions - for the most part comprising specific textbook and dictionary recommendations. This subsequent writing will perhaps interest only the reader who actually plans to study Estonian. 

****


Minu siinnäidatud koostamise kroonika ei peegelda praeguse ajaveebiessee täie, keeruka, tekkeloo. Ma juba koostasin kaks lühikest varianti 2015.a., elektronpostiliseks levitamiseks. See oli ajal, kui mul veel polnud http://toomaskarmo.blogspot.com-i serveriruum. ---- My revision history, as displayed here,  reflects the unusually complex gestation history of the present blog essay. I already constructed two short versions in 2015, for dissemination by e-mail. This was at a time at which I did not yet have the server space http://toomaskarmo.blogspot.com.

****


Täna ma mõtlen ja kirjutan pigem eesti kui inglise keeles. Kirjutamine tehtud, ma siis sõnastan oma lauseid ümber inglise keelde, suhteliselt vaba (s.o. mitte piinlikult sõna-sõna-pealt täpse) tõlkena. ---- Today I am thinking and writing in Estonian rather than in English. The initial writing finished, I then turn my sentences into English, in a rather free (as opposed to a painfully literal) translation.

Ma vabandan ette, et ehkki ma siin mõtlen ja kirjutan kodukeeles, mu kodukeel jätab soovida. Minu pagulaskonna 1960. aastate Nova Scotia piirkonnas puudusid need eestikeelsed koolivõimalused, mis olid olemas Torontos - ja võib-olla olid veel paremal, jõulisemal, kujul olemas Stokholmis. Loodan, et kunagi tulevikus (võib-olla mõne aasta pärast) suudan oma keelelisi vigu kätte leida ja tänast puudulikku esitlust parandada. ---- I apologize in advance that although I am here thinking and writing in my home language, my command of my home language nevertheless leaves something to be desired. My 1960s-era Estonian-émigré region of Nova Scotia lacked those Estonian-language schooling opportunities which existed in Toronto - and existed perhaps in a still better, stronger, form in Stockholm. I hope that at some future point, perhaps some years from now, I will be able to find my linguistic errors and improve on today's occasionally defective expression.

****

Praegu tuleks veel tänada need mitmed, kes on kuidagi oma abi andnud essee kokkupanemisel, eriti selle 2015.a. kahe varavariandi puhul: tähestikulises järjestuses Argo Mund (Eesti Keele Instituut,Tallinn), Piret Noorhani (VEMU-Toronto), Marju Toomsalu (Toronto Ülikool) ning Korp! Vironia pere Torontos. ---- It is time now to thanks those numerous people who have given their help in the compiling of this essay, especially in its early (2015) versions: in alphabetical order Argo Mund (Estonian Language Institute, Tallinn), Piret Noorhani (Museum of Estonians Abroad, in Toronto), Marju Toomsalu (University of Toronto) and the Toronto family of the academic fraternity Korporatsioon Vironia.

Ma sooviksin veel eriti tänada minu keeleõppimise ergutajaid 1980-date aastate Austraalia Metsaülikooli peres, ja siinsamas 1980-date aastate Torontos - Austraalias Winifred Oser (neiuna Vunk) (1920-2013; tuntud mu armsale emale enne Teist maailmasõda: emagi õppis filoloogiat Tartus, kui prl Vungi tolleaegne kolleeg), Tiiu-Ann Salasoo (1932-) ning dr Inno Salasoo (1929-), ja selleaegses Torontos paater Vello Salo (1925-). ---- I would like also in a special way to thank some individuals who have encouraged me in philological studies, both in the 1980s Australian Metsaülikool ["Forest University"] family and here in 1980s-era Toronto - in Australia Winifred Oser (née Vunk) (1920-2013; known before the war to my dear mother; my mother herself studied philology in Tartu, as Miss Vunk's then colleague), Tiiu-Ann Salasoo (Jalak) (1932-) and Dr Inno Salasoo (1929-); and in past-days Toronto Father Vello Salo (1925-).

1. Enne Formaalsete Õpingute Alustamist: (A) Eesti Keel Oma Laiemas Kultuurilses Kontekstis ---- Before Starting Formal Studies: (A) Estonian in its Wider Cultural Context


Neile, kellele eesti kultuur on veidi võõras, tuleks ehk toonitada kahte olulist tõika. ---- Two relevant points should perhaps be stressed for those to whom Estonian is somewhat exotic.

(1)  Eesti rahvalaul, ja ka eesti viimistletud ilukirjadnuslik korpus, peegeldab mahasurutusut ja vastupanu - nagu seda teeb ka (veelgi dramaatilisemal kujul) heebrea keel. ---- Estonian folk song, and also the corpus of polished Estonian literature, reflects a history of repression and resistance - as does (in a still more dramatic way) Hebrew.

Juba meie termin "maakeel" sisendab vihjet raskele minevikule: eestlastest sai linlaste-ristirüütlite poolt anastatud maarahvas alatest 1208.a., millte tõttu nad kippusidki ennast alistunult "maarahvaks" hüüdma kuni 19. sajandi ärkamisajastuni. --- Our term "maakeel" ("countryside language") itself embodies a reference to a difficult past: from the year 1208, the Estonians became a "countryside people" conquered by townsfolk and crusaders, and in consequence tended to call themselves the "countryside people" until their 19th-century national awakening.

Ka eesti keele tõus euroopa kultuurkeelte hulka 19. sajandil leiab kaudset parallelli Iisraelis. Kui meie keeelpäästjateks osutus väike, kohati küllaltki sangarlik salk filolooge-literaate (esialgseks üldtuntud kujuks oli F.R.Kreutzwald (1803-1882); tema nii-öelda sõiduvees võttis hoogu süstemaatiline teaduslik keeleuurimine, näiteks Jakob Hurda (1839-1906/1907) ja Mihkel Veske (1843-1890) näol), siis analoogselt leidub Iisraeli rahvaelus sangarlik heebrea keele ülesehitaja Eliezer Ben-Yehuda (1858-1922). ---- Further, the rise of Estonian into the family of cultured European languages in the 19th century has its distant parallel in Israel. Where the rescuers of our language were a small, in some instances rather heroic, band of philologist-littérateurs (the first generally known figure was F.R.Kreutzwald (1803-1882); in his so-to-speak ship's wake, systematic scholarly philology gathered momentum, for instance through Jakob Hurt (1839-1906/1907) and Mihkel Veske (1843-1890)), analogously Israel has its heroic Hebrew philological revivalist Eliezer Ben-Yehuda (1858-1922).

Nagu heebrea keel on olnud Israeli riigielus, Palestiina Mandaadi ajast saadik, kultuuriliseks võistlemistriistaks, nii on seda olnud ka meie keel - meie puhul eriti kahes eri sundvenestamise ajajärgus (esiteks viimaste tsaaride, teiseks 1991.a. tühistatud NSVL okupatsiooni all). ---- As Hebrew has been in the national life of Israel, from the days of the Palestine Mandate onward, a cultural-defence weapon, so also has been our language - in our case most notably in two different periods of forced russification (the first of them under the last tsars, the second under the USSR occupation which was annulled in 1991).

Nagu Iisraelis, nii on ka Eesti kultuurilisel arengul olulise osa mänginud mandritevaheline diasporaa, oma filoloogide ja kirjanikkudega. ---- As in the case of Israel, so also in the case of Estonia's cultural development, a significant role has been played by an intercontinental disapora, with its philologists and authors.


(2) Võõrastele, võib-olla koguni eestlastele endile, tuleks toonitada, kuivõrd märgatav on meie kultuuri asümmeetriline geograafiline suunitlus. Vaistlikult eelistatud on just meie põhja ja loode vaatevinklid, üle merevoogude - põhja suund meie hõimlaste, soomlaste, pärast; loode suund aga kui see laiijem põhjala, kuhu me sooviksime koos oma võimsama soomlastest hõimurahvaga kuuluda, kõige meie ajalooliste ida- ning kaguraskuste kiuste. ---- To foreigners, and perhaps to Estonians themselves, it is worth underscoring how perceptible is our culture's asymmetric geographical outreach. Instinctively favoured are our northern and norhwestern aspects, across the waves - northward because of our ethnic relatives the Finns; and to the northwest, on the other hand, because of that wider Nordic world to which we would wish, along with our stronger relatives the Finns, to belong, in the teeth of our various historical eastward and southeastward difficulties.

Me vahest kipume unustame kuivõrd lai on kultuuriline Põhjala. Sinna kuuluvad mitte üksnes Soome ja Rootsi, aga veel Taani (kui maastikulisest sarnasusest Taaniga kõrvale jätta, jääb ikka see tõsiasi, et taanlaste käes oli  mõneks ajaks Tallinn, ehk "Taani linn"). Kui rääkida Taanist, siis tuleb silmas pidada veel Faroe saari, Islandit ja Gröönimaad. Kui juttu juba Gröönimaast, tuleks veel märkida, et nagu Narva jõgi on Põhjala idapoolseks piiriks, samuti ulatus Gröönimaa seiklejate võim kunagi Newfoundlandi põhjatipuni välja - l'Anse aux Meadows'i 11. sajandi lühiajalise koloonia-asula näol. - Siis on veel norra, kelle kultuurilisi jälgi leitakse tänapäeval Shetlandi saartel. Viimane teadaolev norra "Norn"-i emakeelena valdaja Shetlandites suri alles 1850.a. paiku, nagu me seda inglise keeles loeme veebilehelt https://en.wikipedia.org/wiki/Walter_Sutherland_%28Norn%29. ---- We sometimes tend to forget just how wide is the Nordic cultural sphere. To it belong not Finland and Sweden alone, but also Denmark (leaving aside the similarity between the Danish and Estonian landscapes, there remains the fact that in Denmark's power lay for a time Tallinn, "the Danish linn"/"Danish town"). When Denmark is brought into consideration, then one has also to keep in view the Faroes, Iceland, and Greenland. But so far as concerns Greenland, then as the Narva River marks the easternmost extreme of the Nordic cultural region, equally Greenland's 


adventurers reached out to the northern tip of Newfoundland, through their shortlived 11th-century l'Anse aux Meadows colony-settlement. - Then again there is  Norway, whose cultural footprints are discernible in today's Shetlands. The last known native Norn speaker died in the Shetlands as recently as 1850 or so - as we read in English from https://en.wikipedia.org/wiki/Walter_Sutherland_%28Norn%29.


Šotimaa ise, kui Norra naaber, ja kui Norra vestluspartner keskaegses diplomaatias,  ei ole Põhjalale võõras. ---- Scotland itself, as Norway's neighbour, and as Norway's partner in mediaeval diplomatic dialogue, is not foreign to the Nordic sphere.

Mida iganes tuleks Inglismaa kohta öelda, on tõsiasi küll, esiteks (a) et anglosakside kultuur enne Vilhelm Vallutajat oli tunduvalt Taaniga seotud, teiseks (b) et anglosaksi Wessexi kroonikakirjutajatele tuntud seiklejad Ohtere ja/või Wulfstan külastasid ka meie merelõiku.  ---- Whatever is to be said about England, it is at any rate the case first
(a) that the Anglo-Saxon culture before William the Conqueror was perceptibly linked with Denmark, and secondly (b) that the adventurers Ohtere and/or Wulfstan, known to chronicle-writers of Anglo-Saxon Wessex, visited even our own stretch of the Baltic Sea.





2. Enne Formaalsete Õpingute Alustamist: (B) Heliline Taust Laulusõnade Abil ---- Before Starting Formal Studies: (B) The Auditory Background, via Song Lyrics


Kes tahab heebrea keelt õppida peaks esialgu mitte grammatikat tuupima, vaid selle keele konstantiderikast ilu tundma õppima, ja seegi pigem vaistlikult kui intellektuaalselt. Selline hingeline tajumine võiks minu  meelest sündida juba paari laulu näol - näiteks peolaul Hava Nagila, ja siis veel Ofra Haza (1957-2000) lööklaul "Jerušalaim šel Zahav" ("Kullast Jeruusalem"). Kes, olles kord kuulnud "Hava Nagilas" "uru ahhiim", suudaks unustada, et "vend" on, nii piibli kui ka tänapäevases keeles, mitmuses "ahhiim", nii vägeva h-ga? Kellele, olles kord kuulnud Ofra Hazad, ei tuleks peaaegu et pisarad silma, mõeldes samasuguselt konsantiderohke sõna "homaa" ("seina", siin õiteti "leinamüüri") tähendusele - ja see nii iidse piibli kui ka tänapäevases keeles?  Kui alustada oma heebrea keele õpinguid lauluga, on tee kuidagi silutud. ---- One who wishes to study Hebrew ought to begin not by cramming the grammar, but by forming an acquaintance with that language's so-consonantal beautry - and even this more at the level of the instinct than of the intellect. Such an emotional appreciation can in my view by acquired easily, from just a couple of songs - for instance from the celebration-song Hava Nagila, and secondly from the Ofra Haza (1957-2000) popular hit "Jerushalaim shel Zahav" ("Jerusalem of Gold"). Who, having once heard the Hava Nagila "uru ahim", could forget that "brother" is, both in the Biblical and in the contemporary language, in its plural "ahim", with that so-strong "h"? Who, having once heard Ofra Haza, is not reduced practically to tears upon pondering the significance of that similarly consonant-heavy word "homa" ("wall", more accurately in this context "Wailing Wall") - and this equally in the ancient Biblical language and in contemporary speech? Those who start studying Hebrew through song find their path somehow smoothed.

Sama kehtib saksa ning prantuse keelte kohta. Hea oleks saksakeele tudengil juba esimesel nädalal ära kuulata näiteks "In München steht ein Hofbräuhaus", või laulja "Lolita" (Edith "Ditta" Einzinger; 1931-2010) "Seemann, deine Heimat ist das Meer", või siis jälle mõni "die Fledermaus-i" aaria või koorikatkend. ---- The same point applies for German and French. It is desirable for the German student already in the initial week to listen to, for example, "In München steht ein Hofbräuhaus", or to the vocalist "Lolita" (Edith "Ditta" Einzinger; 1931-2010) rendering "Seemann, deine Heimat ist das Meer", or again to some aria or choral excerpt from die Fledermaus.

Pranstuse keele esimese nädala jooksul, kui grammatika on veel hämar, tuleks lasta kõrvaklappidesse niimõnigi Edith Piafi (1915-1963) klassik - näiteks "Milord", "La vie en rose" ja "Je ne regrette rien. ---- In the first week of French studies, when the grammar is still obscure, it would be appropriate to convey into the headphones some classics from Edith Piaf (1915-1963) - say "Milord", "La vie en rose", and "Je ne regrette rien."

Et mitte liiga palju korraga pakkuda, ma siin soovitaksin vaid kaks eestikeelset laulu, mis siiski kuidagi lasevad aimata eestlaste hingemaailma üldkonjunktuure, ja ühtlasi toovad piisavalt esile eesti keele foneetilise omapära. ---- So as not to offer too much at once, I would recommend here just two Estonian songs, which nevertheless allow the student to appreciate the general contours of the Estonian emotional inscape, and at the same time display in an adequate way some  features of Estonian phonetics.

Esimeseks sissejuhatavaks palaks võiks võtta kajastus tänapäeva ühiskondlikest muredest - kus 1944.a. on oma reaalsuse kaotamas, kus isegi 1987-1991.a. Laulev Revolutsioonist on saanud pigem kooliõpiku peatükk kui tegelikkus - nimelt, "Mis maa see on?" Siin minu soovituseks oleks Siiri Sisask, nii nagu ta seda laulu ette kandis spontaanselt või pool-spontaanselt (rahvamurru võib-olla peaaegu ootamatul, harjutamatul, saatel, Tallinna lauluväljakul). Pala on esitatud YouTube'i tarbija "Ringtee" poolt, pealkirjaga "Siiri Sisask ja Ühendkoorid | Mis maa see on", kuupäevaga 2011-07-03, kestvusega 6:03. Minu internetikvartalis on selle materjali veebiaadressiks https://www.youtube.com/watch?v=NmmUOpLQnLs. Ehkki mujal maailmas võiks veebiaadress teistsugune olla, peaks YouTube'i ostingumootor andma vajaliku tulemuse, kui kasutada otsinguterminina 2011 Siiri Sisask Mis maa see on. ---- As the first introductory piece, one might take a resonance of today's sociopolitical concerns - today, when 1944 is losing its reality, and when even the 1978-through-1991 Singing Revolution is becoming more schoolbook chapter than actuality - namely, "Mis maa see on?" ["What country is this?"]. Here my recommendation would be Siiri Sisask, in her spontaneous or semi-spontaneous performance (with the perhaps almost unanticipated accompaniment of the crowd, at the Tallinn Song Festival Grounds). The piece is made available by YouTube user "Ringtee" under the title "Siiri Sisask ja Ühendkoorid [Siiri Sisask and Combined Choirs] | Mis maa see on", under date 2011-07-03, for a duration of 6:03. In my corner of the Internet, this material has the URL https://www.youtube.com/watch?v=NmmUOpLQnLs. Although elsewhere in the world the URL might differ, the YouTube search engine should deliver the correct result when duly supplied with the search term 2011 Siiri Sisask Mis maa see on.

Siin on siis laulusõnad. Keeleõppimise algaja peaks neid jälgima pigem emotsionaalselt kui sõnaraamatu ehk kaine mõistuse abil: ---- Here, then, are the lyrics. The beginner should follow them more affectively than with the dictionary, in other terms more at the level of emotion than of the intellect:

Mis maa see on? Siin pole ühtki mäge,
vaid metsad lõputud ja laukasood.
Kuid siinne rahvas täis on imeväge
ja kummalised nende laululood.

Mis maa see on? Kord öö sööb ära päeva,
siis jälle päev on nõnda pikk, et neelab öö.
Ühtmoodi mõlemad siin mööda lähevad -
kui võõras puhkab, kohalik teeb tööd.

Mis maa see on? Kas tõesti üksnes orjaks
veel ainult kõlbab inimene siin?
Ja kes selle valu ükskord kokku korjaks,
et tuleks armastus ja lõppeks piin?

Mis maa see on? Kus halastus on ohus,
mis maa see on? Kus vabadus on maasse kaevatud -
Kus on siin õiglus, kus rahukohus,
kust õiglust otsima peaks vaevatud?

Mis maa see on? Kaastunne siin on roostes,
on roostes häbi südameta rind.
Ma siit põgeneda võiksin lausa joostes,
kuid miski hoiab tagasi veel mind.

Mis maa see on, mis saab mind kinni hoida? -
ja millega ta seda teeb ei tea.
Ta ju ei kata mind, ta ju ei hoia,
kuid ometigi endaga mind veab.

Mis maa see on? Kas suudan seda mõista?
Mis maa see on? Kas suudan enam olla temata?
Mis maa see on? Kuis ometigi võis ta
kõik oma lapsed jätta emata?

Mis maa see on? Siin pole ühtki mäge,
vaid metsad lõputud ja laukasood.
Kuid siinne rahvas täis on imeväge
ja kummalised nende laululood.


Minu toortõlge: ---- The following is my raw translation: 

What country is this? Here is not a single mountain,
But endless woods and bog-pools.
And yet its people are filled with odd power,
And their songs are strange.

What country is this? Now the night swallows up the day,
And then again the day is so long it swallows up the night.
Both of them pass in the same way -
When the foreigner rests, the locals toil.

What country is this? Is it really true that here
People deserve only slavery?
And who could for once scrape together all that pain,
So that love might come and the misery end?

What country is this, where sympathy gets put on the chopping-block? 
What country is this, where freedom gets buried?
Where in this place is redress -  where the court
From which the oppressed might seek justice?

What country is this? Here fellow-feeling is rusted,
The heartless bosom rusted in shame.
I could flee from here, racing,
And yet something holds me back.

What country is this, which can keep me bound -
How it does it, I do not know.
It does not clothe me, it does not look after me,
And yet it drags me along with it.

What country is this? How can I understand it?
What country is this? How can I live without it?
What country is this? How ever could it
Leave all its children motherless?

What country is this? Here is not a single mouintain,
But endless woods and bog-pools.
And yet its people are filled with odd power, 
And their songs are strange.


Teiseks filoloogiliselt sissejuhatavaks lauluks võiks valida Juhan Liivi (1864-1913) luuletus "Ta lendab mesipuu poole", nagu ta on näiteks laulukujul pakutud YouTube'i tarbija "Piirikaitse" poolt, kuupäevaga 2009-07-18, kestvusega 3:10. Minu internetikvartalis on selle kooriesitluse, saadetud osavalt valitud kinoklippidelt, internetiaadressiks https://www.youtube.com/watch?v=_tncbZWVwn4 - kuid igal pool maailmas peaks siiski YouTube'i otsingumootor andma õiget tulemust, kui sihiks anda Piirikaitse 2009 Ta lendab mesipuu poole. ---- As a second philogically prefatory song, one might choose Juhan  Liiv's (1864-1913) luuletus "Ta lendab mesipuu poole" ("They fly to the hive"), as it is for instance presented, as song, by YouTube user "Piirikaitse" ["Border Patrol"], under the date 2009-07-18, for a duration of 3:10. In my corner of this Internet, this choral performance, accompanied by skillfully selected ciné clips, has the URL  https://www.youtube.com/watch?v=_tncbZWVwn4. But everywhere in the world the YouTube search engine ought to give the correct result when duly supplied with the search term Piirikaitse 2009 Ta lendab mesipuu poole.

Siin on Juhan Liivi sõnad: ---- Here are Juhan Liiv's words:


Ta lendab lillest lillesse,
ja lendab mesipuu poole;
ja tõuseb kõuepilv ülesse -
ta lendab mesipuu poole.

Ja langevad teele tuhanded;
veel koju jõuavad tuhanded
ja viivad vaeva ja hoole
ja lendavad mesipuu poole!

Hing, oh hing, sa raskel a'al -
kuis õhkad isamaa poole;
kas kodu sa, kas võõral maal -
kuis ihkad isamaa poole!

Ja puhugu vastu sul' surmatuul
ja lennaku vastu sul' surmakuul:
sa unustad surma ja hoole
ning tõttad isamaa poole!

Hing, oh hing, sa raskel a'al -
kuis õhkad isamaa poole;
kas kodu sa, kas võõral maal -
kuis ihkad isamaa poole!
Kuis ihkad isamaa poole!

Siin on ligi-toortõlge, mille jälgimine kui laul ise mängib kõrvaklappides annaks aimata midagi keele olemusest: ---- Here is a nearly literal translation - the following of which, when the poem-cum-song itself is playing in  headphones, would give one some impression of linguistic essences:  

They fly from blossom to blossom,
And fly toward the hive;
And the thundercloud rises -
They fly hiveward.

And thousands fall by the wayside;
Still, thousands reach home;
Bearing their labour and care,
They fly hiveward.

Soul, o soul, in a harsh time -
How you yearn for your homeland;
Whether at home or in a foreign land,
How you yearn for your homeland!

And let the death-wind assail you
And let the death-bullet fly to meet you:
Oblivious to death and care,
You speed homeward.

Soul, o soul, in a harsh time -
How you yearn for your homeland;
Whether at home or in a foreign land,
How you yearn for your homeand!

[In strict accuracy, admittedly, "isamaa" is "fatherland". But this has in English unhappy 1930s-Berlin connotations of das Vaterland, in other words of an unreasoning mob cheering some torchlight parade. Further, "ta lendab" is in strict accuracy singular: "he/she/it flies". In English "he flies" is biologically inaccurate, as a reference to the workers in the species Apis mellifera. The gender-accurate "she  flies", on the other hand, is to my ear untrue to Juhan Liiv's gender-neutrality. I have similarly had to take other small liberties, so as to make even my near-literal translation readable.]

Vastandina esimesele palale, räägib Liivi ennevabadussõja-aegne luuletus vähem aktuaalsetest kui ajatutest teemadest - eeskäatt surmast ja igavikust. Nagu saatus on seda pärast luuletaja oma surma korda saatnud, manavad ta luulesõnad ka ennatuslikult ette eestlaste tegelikke kogemusi 1944.a. võitlemisel ja põgenemisel. Need tänapäeval lehtpuumetsaga kaetud mäed, mis mainitud YouTube'i etenduses on linnulennult näidatud, on Eesti Termopüülid - Sinimäed, Narvast natuke lääne poole, läbi sajandite idast sissetungivate vägede ainsa kerge tee ees. Seal toimus Teise Maailmasõja ägedamaid lahinguid (rinne sellel paigal ei murdnudki), võimaldades kümnetele tuhandetele oma mereteel põgenimise lääne poole. ---- In contrast with the first piece, Liiv's poem, composed before the 1918-1920 War of Independence, engages less with contemporary than with timeless themes - foremost, with death and eternity. As fate arranged things after the poet's own death, the words additionally prove to have in a prophetic way fitted the actual experiences of Estonians in their 1944 battle and flight. The slopes today covered in deciduous woodland, appearing from an avian perspective in the cited YouTube upload, are Estonia's Thermopylae - the Sinimäed, or Blue Hills, a little to the west of Narva. They have through the centuries lain across a would-be eastern invader's sole easy westward path. At this place was fought one of the fiercest battles of World War Two (the front did not break there) - a holding operation, enabling tens of thousands to escape westward by sea.

Silmatorkav on paralleel Soomega: ajalugu ka seda soovis, et Johan Julius Christian Sibelius (1865-1957) varaselt, s.o. juba Juhan Liivi veel-vaiksel epohhil, kirjutatud "Finlandia" manaks oma keelepillide madalatoonilises lõigus ennatuslikult ette 1939-1940 talve õhurünnakute mürinat. ---- The parallel with Finland is striking: history likewise saw to it that the "Finlandia" of Johan Julius Christian Sibelius (1865-1957), written early on (during the still-placid era of Juhan Liiv) should in its bass-register string-section measures faithfully depict, in a prophetic way, the noise of air assaults during the 1939-1940 winter.

Asja võiks ilmselt veel venitada. Võiks veel pakkuda algaja keeleõpilasele Veljo Tormise (1930-2017) "Raua needmine" (sõnadega, kahes keeles). Või siis jälle võiks välja valida Lydia Koidula (1843-1886) "Mu Isamaa on Minu Arm" Gustav Ernesaksa (1908-1993) viisil (sõnadega, kahes keeles, kusjuures kuuluks ka seletus Koidula laulu osast Lauluväljakul, NSVL okupatsiooni aastakümnetel). Aga minu meelest paarist laulust piisab, kui (nagu siin) on meie peamiseks huviobjkektiks keel ise. ---- This operation could clearly be dragged out further. One could additionally offer to the philological beginner Veljo Tormis's (1930-2017) "Raua Needmine" [The Cursing of Iron] (with the lyrics, in Estonian and English). Or, again, one could select Lydia Koidula's (1843-1886) "Mu Isamaa on Minu Arm" [My Fatherland/motherland/homeland is My Love] with the music of Gustav Ernesaks (1908-1993) (with the lyrics, in Estonian and English: this could be accompanied with an explanation of the significance of Koidula's song at the Song Festival Grounds, during the USSR occupation decades). But in my view a couple of song suffice, when (as is the case here) one's primary interest is in the language itself.


[Jätkub loodetavasti tuleval nädalal, UTC ehk maailmakella ajavahemikul  20170207T0001Z/20170207T0401Z./ ---- To be continued, it is hoped, next week, in the UTC (Universal Coordinated Time) interval 20170207T0001Z/20170207T0401Z.]